Pop In to the Milwaukee Art Museum for the ultimate Warhol experience

Andy Warhol: The Last Decade here through Jan. 3

ANDY WARHOL’S NAME resonates well beyond limited art circles. His silkscreen works of people, products, and events of the 1960s made him a central figure in the Pop Art movement. His name quickly became a name brand as his enterprises expanded from art and advertising into fashion, underground music, independent filmmaking, magazine publica- tion, and television.

For the first time, Warhol’s late and most prolific period is considered through a survey of painted works. Andy Warhol: The Last Decade, organized by the Milwaukee Art Museum, is the first U.S. muse- um exhibition to examine Warhol’s final years. Called one of the best fall exhibitions in the country by the Wall Street Journal, the exhibition will be here through Jan. 3, 2010.

In the last chapter of his 40-year career, Warhol pro- duced paintings like never before. He participated in the leading edge of the painting revival of the 1980s, revisiting his Pop Art innovations while forging a new synthesis of painting and screen printing. He introduced abstraction into his artistic vocabulary with series such as the Oxidation Paintings, Shadows, Yarn, Rorschachs, and Camouflage; produced his signa- ture “fright wig” self-portraits; and revealed his Catholicism in Black and White Adsand the ambitious series based on Leonardo da Vinci’s The Last Supper.

In 1979, Warhol had a solo exhibition at the Whitney Museum of American Art of his portrait works, which the critics dismissed. On the other hand, his exhibition of Shadowpaintings in the same year was applauded for its experimentation. These paintings, based on shadows from the artist’s office, were far different than his commercial portraiture. His peers also praised the work, including Julian Schnabel who stated, “Andy’s greatest contribution is in the traditional area called painting.”

The fulcrum of Warhol’s late period was his close collaboration with Jean-Michel Basquiat, an experience that led Warhol to return to painting by hand. Warhol was introduced to Basquiat in 1982 and the two immediately bonded. Francesco Clemente later joined them as a collaborator. Inspired with new painterly ideas, Warhol moved from a factory space into an expansive ballroom. Instead of mass produc- tion, there was independent discovery with new styles, techniques, and subjects.

Warhol made more work than at any other time in his career in 1985–‘86. His “fright wig” self-portraits, which he manipulated to elude one reading of his identity in favor of multiple versions, were among these works. His paintings also mushroomed to monumental proportions in his new studio, culmi- nating in his largest series, The Last Supper.

In full command of his repertoire, Warhol duplicated and manipulated images of the iconic work by da Vinci. The picture itself permeates pop culture, but of course, it also has a big star in the lead role. This series began as a commission from an Italian dealer, but it was important to Warhol, as well. This final series by Warhol reveals a little known side of the artist before his tragic death in 1987.

The lead sponsors for Andy Warhol: The Last Decade are Sue and Bud Selig and Debbie and Mark Attanasio. Additional support also is generously provided by Donald and Donna Baumgartner, Christine Symchych, Joanne Murphy, the Greater Milwaukee Foundation’s Johnson and Pabst LGBT Humanity Fund, Tony and Sue Krausen, the Milwaukee Art Museum’s Friends of Art, and an anonymous foundation. The exhibition is support- ed by an indemnity from the Federal Council on the Arts and Humanities.

Andy Warhol: The Last Decadeis guest curated by Joseph D. Ketner II, Lois and Henry Foster Chair in Contemporary Art at Emerson College, and organized at the Milwaukee Art Museum by John McKinnon, assistant curator of modern and con- temporary art. For additional information on the exhibition and related activities, visit www.mam.org.

Andy Warhol: Pop Star

COMPLETE YOUR Warhol experience with a visit to the Milwaukee Art Museum’s Collection Galleries where you will see highlights in the museum’s collection by the iconic Pop star. Prints from the Marilyn and Mao portfolios, as well as works on loan to the museum from local collectors, are on view in Andy Warhol: Pop Star.

Andy Warhol: The Last Decade is the newest chapter in the Milwaukee Art Museum’s long history of presenting the artist, having added his work as early as 1967. In 1987, the museum organized Warhol/Beuys/Polke, featuring insights into three of the leading artistic innovators of the day that presented—for the first time—Warhol in the context of his peers. This tradition is continued with Figurative Prints: 1980s Rewind (on view in the museum’s Koss Gallery through November 29), which features work from the Collection by artists including Georg Baselitz, Richard Bosman, Francesco Clemente, Eric Fischl, Jörg Immendorff, Susan Rothenberg, David Salle, and Julian Schnabel.

Andy Warhol: Pop Star is sponsored by Dewitt, Ross and Stevens SC. Support for Figurative Prints: 1980s Rewind is provided by the Greater Milwaukee Foundation’s Johnson and Pabst LGBT Humanity Fund.

PICTURE DESCRIPTIONS:

On the cover/home page is Andy Warhol’s Self-Portrait (Strangulation), a 1978 acrylic and silkscreen ink on canvas from the collection of Anthony d'Offay.

The Last Supper, 1986, is an acrylic and silkscreen on canvas (78 x 306") from the Baltimore Museum of Art, photo by Mitro Hood. Campbell's Soup (tomato), 1985, is an acrylic on canvas (20 x 16") from the collection of Debbie and Mark Attanasio, and the last work is an untitled work from the Marilyn Portfolio, 1967, a five-color screenprint (36 x 36").